a Handful of Dust is David Campanys speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Lets suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it Dust Breeding. Its abstract, its realist. Its an artwork, its a document. Its revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes TS Eliots poem The Waste Land. “I will show you fear in a handful of dust.”
And what if dust is really the key to the intervening years? Why do we dislike it? Is it cosmic? We are stardust, after all. Is it domestic? Inevitable and unruly, dust is the enemy of the modern order, its repressed other, its nemesis. But it has a story to tell from the other side.
Campanys connections range far and wide, from aerial reconnaisance and the American dustbowl to Mussolinis final car journey and the wars in Iraq. a Handful of Dust will accompany Campanys exhibition of the same name, curated for Le Bal, Paris (16 October 2015 — 17 January 2016), with works by Man Ray, John Divola, Sophie Ristelhueber, Mona Kuhn, Gerhard Richter, Xavier Ribas, Nick Waplington, Jeff Wall and many others, alongside anonymous press photos, postcards, magazine spreads and movies.
